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8 thoughts on “ Regnava Del Silenzio…Quando, Rapito In Estasi (Atto I) - Maria Callas - The Voice Of The Century (CD) ”

  1. von Maria Callas/Coro Del Teatro Alla Scala, Milano ( Remastered Version): Regnava nel silenzio Quando rapito in estasi (Act I) this is a good buy A collection of the one and only Maria Callas. Amazing clear voice and good quality CD. Lesen /5(73).
  2. Buy The Best of Romantic Callas by Callas, Maria, Giacomo Puccini, Giuseppe Verdi, Franco Ghione, Herbert von Karajan, Tullio Serafin, Laura Zanini, Anna Maria Canali, Lisbon San Carlos National Theatre Orchestra, Milan La Scala Orchestra, Florence Maggio Musicale Orchestra, Maria Callas, Alfredo Kraus, Piero de Palma, Nicolai Gedda, Giuseppe di Stefano, Lisbon San Carlos National Theatre /5(16).
  3. ; BELCANTO BEL ; DIVINA DVN enhanced CD: IDIS ; MYTO 2 CD Norma Maria Callas. Pollione Mario del Monaco. Adalgisa Giulietta Simionato. Oroveso Nicola Zaccaria. Clotilde Gabriella Carturan. Flavio Giuseppe Zampieri.
  4. Jul 13, - Explore rokalily's board "Monserrat Caballe", followed by people on Pinterest. See more ideas about Opera, Opera singers, Sopranos pins.
  5. Quando rapito in estasi Del più cocente amore, Col favellar del core Mi giura eterna fe’; Gli affanni miei dimentico, Gioia diviene il pianto Parmi che a lui d’accanto Si schiuda il ciel per me!,ecc. ALISA Giorni d’amaro pianto Si apprestano per te!, ecc. LUCIA Enveloped in .
  6. The Voice of the Century. The first CD reveals her breathtaking early soprano voice, glorious and powerful. The second CD explores a brilliant, delicious array of her later years, predominantly Mezzo performances, with all the fire and joy and sorrow that only Mme. Callas could convey/5(21).
  7. Dec 24,  · Toti dal Monte () made her La Scala debut in , at the age of 23, in Francesca da Rimini. She made her Met debut in , as Lucia. She sang very few performances at .
  8. Maria Callas converted me to opera. I am sure I am not unique in this, except in the particulars. In my early college years I immersed myself in recordings of the nineteenth-century symphonic repertory—Beethoven, Schubert, Brahms, Bruckner, the Russians—but for a long time I refused to listen to opera, would listen to an overture and then rush to change the record before the singing started pins.

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